Kompakt 500

Kompakt 500

Opening: 23.5.2025
Non-stop music from 7 pm:
Kompakt Allstars DJs and live acts in the Riphahn-Saal, 1st floor
Pop Ambient Floor in the Studio, 2nd floor

This exhibition is dedicated to a company based in Cologne. It is one that stands, like carnival and Kölsch beer, for tradition and continuity. It is a well-established business, albeit one that keeps its walls porous and its doors wide open. Expansion and reinvention are as essential to it as a regular bass drumbeat and the exhilarating joie de vivre of Hildegard Knef’s vocals. The principle of ‘no more than is needed’ resonates down the decades, with a simple dot as a trademark. A manifesto of autonomy and aesthetic minimalism. As a rule, techno is catalogued not by stars big and small, but by sober numerals. The number 500 represents not an anniversary but the number of catalogued records the firm has produced, a milestone which this exhibition celebrates. For over thirty years, Kompakt’s work has been influencing and nurturing the worlds both of music and art. Its headquarters in Cologne’s Werderstrasse is a space of free creativity, modelled on Andy Warhol’s Factory. There, in a rejection of the traditional division of labour, records are sold in its shop, music is produced in its studios, while accounts are kept, applications prepared and projects administered in its offices. At the same time, people live in the building, cooking meals and throwing parties in disdain for alienated life. Kompakt is not least the story of something that emerged organically from a group of friends with a shared craze for electronic music. However, by aiming to keep everything in its own hands, Kompakt also embodies a political idea of autonomy, even though it all began as a bit of a laugh. To this day, the indie label has successfully avoided both falling under the economic control of large corporations, and producing its tracks under alienating conditions.

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Curated by Kompakt in collaboration with the Kölnischer Kunstverein.

Admission to the exhibitions, events and guided tours is free, registration is not required.

Summerbreak

Dear members and visitors,
the Kölnischer Kunstverein will be on summer break from July 21st. We look forward to welcoming you again from September 26th during our regular opening hours and cordially invite you to the opening of the upcoming exhibitions from Amelie von Wulffen and Jonas Lipps on September 25 from 6 pm at the Kölnischer Kunstverein. Further information will follow shortly.

Game of No Games – Symposium

Dietrich Orth, Anleitung zu beschwingtem, freudigen Gehen, 1987. Installationview Kölnischer Kunstverein, 2022. Courtesy: Rezipink Collection. Photo: Mareike Tocha.

Game of No Games – Symposium
Saturday, 11.2.2023, 10 am – 4 pm

The symposium aims to explore the question of whether there is a need today for categorisations through terms such as Outsider Art. Is a definition possible at all, or is the term not rather arbitrary and oriented more towards social ideas of norms than towards the artistic work?

The symposium is part of the programme accompanying the exhibition Game of No Games at the Kölnischer Kunstverein, which presents historical and contemporary works by artists who have received little attention throughout art history. Their participation in society and the art world has been limited—as a result of conservatorships, disenfranchisement, or discrimination, to name a few.

10:30–11:00 am      
Welcome Nikola Dietrich and Susanne Zander 
                                   
Amelie Gappa 
A Feminist Perspective on the Work of Helga Goetze

11:00–11:30 am       
Lisa Arndt
Adelhyd van Bender – The Atom is Invincible

11:30–12:15 pm       
Andreas Fischer
“Take paints in hand and draw…”: The medium Margarethe Held
(cancelled due to illness)

12:30–01:15 pm       
Falk Wolf
The Shadow of the Avant-garde

01:15–02:00 pm       
Charlotte Laubard (in English)
Finding new grounds

03:15–04:30 pm Panel 
Moderator: Nadine Oberste-Hetbleck
Speakers: Nikola Dietrich, Kito Nedo, Susanne Pfeffer and Susanne Zander

The symposium is organized in cooperation with ZADIK | Central Archive for German and International Art Market Research, University of Cologne.

Book presentation and talk – Ewa Majewska: Coronafuga. Fragments of Online Dating Discourse from Pandemic Times, at the Ludwig Forum, Aachen

Ewa Majewska
Coronafuga. Fragments of online dating discourse from pandemic times
Welcom by Eva Birkenstock and Nikola Dietrich
Book presentation and reading with Ewa Majewska and the performance artist Wojciech Kosma
at the Ludwig Forum, Aachen

The event will be held in English.

At the conclusion of reboot: responsiveness, a presentation and reading of the latest publication by Polish cultural theorist and activist Ewa Majewska will take place at the Ludwig Forum Aachen in the presence of the author and performance artist Wojciech Kosma.

Coronafuga. Fragments of online dating discourse from pandemic times is an auto-theoretical negotiation of online dating discourse during the Covid-19 pandemic. The book combines theory and digital dating conversations into a literary account of discourses of intimacy during pandemic times. Media and other tools like dating sites, conversations in, around, and about digital flirting, and immediate entertainment are key elements of this book.

Ewa Majewska (lives in Warsaw) is a feminist cultural theorist, activist, and author. She has taught at the University of the Arts in Berlin, the University of Warsaw, and Jagiellonian University in Kraków. She has also been a visiting scholar at the University of California, Berkeley, the ICI Berlin, and the IWM in Vienna. She currently works at the University of Social Sciences and Humanities in Warsaw. She has released six books, most recently Feminist Antifascism: Counterpublics of the Common (2021), and publishes in journals and platforms such as e-flux, Signs, Third Text, Journal of Utopian Studies, and Jacobin, among others. Her current research focuses on archival studies, dialectics of the weak, feminist critical theory, and antifascism.

The publication is part of reboot:—a collaborative, cyclical, anti-racist, and queer-feminist dialogue between performative and research-based practices, co-hosted by the Kölnischer Kunstverein and Ludwig Forum Aachen. The first cycle reboot: responsiveness provided infrastructures for provisional stagings, rehearsals, processual choreographies, and encounters around themes of presence, intimacy, care, and responsibility. Conceived by Eva Birkenstock, Nikola Dietrich, and Viktor Neumann.

Ewa MajewskaCoronafuga. Fragments of online dating discourse from pandemic timesEdited by Eva Birkenstock, Nikola Dietrich, Viktor Neumann
English
Cu-published by Ludwig Forum Aachen and Kölnischer Kunstverein with DISTANZ Verlag
ISBN 97-3-95476-523-2

The book can be purchased at the Ludwig Forum Aachen as well as online at DISTANZ Verlag.

16,-

Naeem Mohaiemen, Two Meetings and a Funeral

Naeem Mohaiemen, Two Meetings and a Funeral, 2017

Film-Screening with an introduction by Naeem Mohaiemen
Thursday, 15.06.2023, 4–6 pm

Two Meetings and a Funeral (2017): “The Third World was not a place, but a project.” (Vijay Prashad, The Darker Nations, 2007). This was to be a utopian alliance where the Global South would reconfigure planetary leadership, ending Euro-American dominance. The Non-Aligned Movement (NAM) attempted to navigate a “third way,” but parallel participation in the Petrodollar-driven “Islamic bloc” by some member countries shredded fragile coalitions behind the scenes. Two Meetings and a Funeral explores a “pivot” moment between the 1973 Non-Aligned Movement (NAM) meeting in Algeria and the 1974 Organization of Islamic Cooperation (OIC) meeting in Pakistan. The unraveling of old alliances began from a barely discernible venn diagram overlap between these two groups, one that would taken on world significance after the OPEC oil crisis, the Iranian revolution, and the invasion of Afghanistan.

Traveling through the residues of transnational architecture (Niemeyer, Moretti, Le Corbusier) in New York, Algiers, and Dhaka, the film considers the erosion of the idea of the Third World as a potential space for decolonisation, and an always imperfect understanding of Socialism. Conversations between Vijay Prashad, Samia Zennadi, Atef Berredjem, Amirul Islam, and Zonayed Saki look at the contradictions of decolonization movements that never remembered to liberate their own leadership. The film is a midpoint for Mohaiemen’s loosely affiliated projects around the Non-Aligned Movement.

The film screening is part of the exhibition Langer Tag by Naeem Mohaiemen, curated by Nina Möntmann, June 14-18, 2023, Temporary Gallery.

Funded by Deutsche Forschungsgemeinschaft: curatorial project of the DFG-Research Training Group „connecting – excluding. Cultural Dynamics Beyond Globalized Networks“

Admission is free, registration is not required.

Still available:

Jenny Holzer’s Truisms is made up of a collection of almost 300 aphorisms and statements written by the artist. In the 1970s she began presenting these on self-printed posters, and later on she used advertising billboards. From the 1980s on, these catchy phrases were reproduced as a variety of ephemera such as t-shirts and caps with the slogan Men don´t protect you anymore, which were part of her Survival Series (1983). They even made their way, somewhat controversially, onto condom wrappers. In this way, she has continued to infiltrate public space, questioning omnipresent cliches about gender roles and commenting on socially relevant topics of the day, such as equality, poverty, the environment, and the abuse of power.

The T-Shirt was published on the occasion of the exhibition Maskulinitäten. Eine Kooperation von Bonner Kunstverein, Kölnischem Kunstverein und Kunstverein für die Rheinlande und Westfalen, Düsseldorf at the Kunstverein für die Rheinlande und Westfalen, Düsseldorf (September 1 – November 24, 2019).

Jenny Holzer, ABUSE OF POWER COMES AS NO SURPRISE, 2019, © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY / VG Bild-Kunst, Bonn

Jenny Holzer: ABUSE OF POWER COMES AS NO SURPRISE
2019
Screenprint on 100 % organic cotton T-Shirt
Available in Size S / M / L
© 2019 Jenny Holzer, member Artists Rights Society (ARS), NY / VG Bild-Kunst, Bonn
€ 27,00 (plus € 3,00 shipping fee)

Please note your desired size (S / M / L) with your order in the Comments field!

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Jenny Holzer, MEN DON´T PROTECT YOU ANYMORE, 2019, © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY / VG Bild-Kunst, Bonn

Jenny Holzer: MEN DON’T PROTECT YOU ANYMORE
2019
Screenprint on 100 % organic cotton T-Shirt
Available in Size S / M / L
© 2019 Jenny Holzer, member Artists Rights Society (ARS), NY / VG Bild-Kunst, Bonn
€ 27,00 (plus € 3,00 shipping fee)

Please note your desired size (S / M / L) with your order in the Comments field!

Order

Genoveva Filipovic: Bridge of Sigh

Genoveva Filipovic: Bridge of Sigh, 2022
Pop-up book made of eloxated aluminium sheets, paper and staples, in two drawers
27 cm x 7 cm x 3.3 cm
Edition: 20 + 5 AP
Certificate
€ 250,00

The aluminum blanks designed and manufactured by Interzone in Berlin were milled flat from a single piece. The three main elements were subsequently drilled so that connecting hinges could be installed. The spine’s central hinges are glued and a total of 12 precision components were assembled by hand. The surfaces have been honed and anodized.

Genoveva Filipovic (b. 1986, Frankfurt am Main) lives in New York. Her works have recently been shown at Galleria Federico Vavassori in Milan (2019), Kunsthalle Zürich (2019), Goton in Paris (2018), Greene Naftali (2018), Svetlana (2018) and Dead Ends (2016) in New York, Vilma Gold in London (2016), and Neue Alte Brücke in Frankfurt am Main (2014).

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Genoveva Filipovic: Bridge of Sigh, 2022. Foto: Mareike Tocha.
Genoveva Filipovic: Bridge of Sigh, 2022. Foto: Nathan Ishar.
Genoveva Filipovic: Bridge of Sigh, 2022. Foto: Nathan Ishar.