Events & Education

Opening of the presentation of Jahresgaben 2025 (13.11.–23.11.2025) with works by Jakob Buchner, Edith Deyerling, Alfred d’Ursel, Ellen Gronemeyer, Olga Holzschuh, Thomas Huber, Tobias Kaspar, Nuri Koerfer, Jonas Lipps, Birgit Megerle, Michaela Melián, Bernadette Mittrup, Cecilie Norgaard, Vaclav Pozarek, Markus Saile and Wolfgang Thesen.

Admission free, no registration required.

Guided tour of the exhibition Amelie von Wulffen, Jonas Lipps with Anna Heldmann, curatorial assistant.
Admission to the exhibitions, events, and guided tours is free, registration is not required.

In the summer of 1927, Elsa von Freytag-Loringhoven – dadaist poet, nude model, and proto-punk – writes a letter to the patron Peggy Guggenheim. In prophetic euphoria and apocalyptic urgency, she outlines her latest project: a studio for experimental modelling in Paris, which she hopes will mark her artistic comeback and provide an escape route out of her existential misery. Peggy Guggenheim expresses interest, but does not pay. Shortly afterward, Elsa von Freytag-Loringhoven takes her own life. Now, almost a century later, ,Bruch‘- is taking up this forgotten episode in the history of performance art and re-stages it as a space of resonance for contemporary dilemmas of artistic labour and self-fashionings. Together with dancer Frances Chiaverini, composer Stanislav Iordanov and author Théo Casciani amongst others, and drawing on the artist’s late autofictional texts, they model multi-layered choreographic worlds and explore the act of calling oneself an ‘artist’ in an economically, politically and spiritually precarious present.

28. & 29. November, 8 pm

Admission €10
Tickets can be purchased online here.

Funded by:
Kulturreferat der Landeshauptstadt München, Fonds Darstellende Künste, Kunststiftung NRW

Photo: Robert Hamacher

In the summer of 1927, Elsa von Freytag-Loringhoven – dadaist poet, nude model, and proto-punk – writes a letter to the patron Peggy Guggenheim. In prophetic euphoria and apocalyptic urgency, she outlines her latest project: a studio for experimental modelling in Paris, which she hopes will mark her artistic comeback and provide an escape route out of her existential misery. Peggy Guggenheim expresses interest, but does not pay. Shortly afterward, Elsa von Freytag-Loringhoven takes her own life. Now, almost a century later, ,Bruch‘- is taking up this forgotten episode in the history of performance art and re-stages it as a space of resonance for contemporary dilemmas of artistic labour and self-fashionings. Together with dancer Frances Chiaverini, composer Stanislav Iordanov and author Théo Casciani amongst others, and drawing on the artist’s late autofictional texts, they model multi-layered choreographic worlds and explore the act of calling oneself an ‘artist’ in an economically, politically and spiritually precarious present.

28. & 29. November, 8 pm

Admission €10
Tickets can be purchased online here.

Funded by:
Kulturreferat der Landeshauptstadt München, Fonds Darstellende Künste, Kunststiftung NRW

Photo: Robert Hamacher

Guided tour of the exhibition Amelie von Wulffen, Jonas Lipps with Valérie Knoll, Director.
Admission to the exhibitions, events, and guided tours is free, registration is not required.